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                  <text>Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916)</text>
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                  <text>Dr. Marta Pizzagalli &lt;br /&gt;USI Università della Svizzera italiana &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi&lt;/em&gt;</text>
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                  <text>Promoter Digital Gallery for USI</text>
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                  <text>The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works.</text>
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                <text>Issue within the collection: 86</text>
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                <text>Identifier name: illITA_3</text>
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                <text>Alcina (3)</text>
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                <text>Text reference edition: Guido Gozzano, "I sandali della diva. Tutte le novelle", a cura di Giuliana Nuvoli, Milano, Serra e Riva Editori, 1983.</text>
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            <description>An account of the resource</description>
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                <text>Prosa pubblicata su «L'illustrazione italiana», 26 dicembre 1915, pp. 554-561.
Racconta la storia di Miss Eleanor Quarrell, una giovane inglese "teosofessa", intelligente e gobba, amica del narratore, e le vicende avvenute in Sicilia al limite fra sogno e allucinazione: in una notte di luna piena, durante un concerto di musica classica tenuto presso le rovine di un tempio greco, Miss Quarrell appare trasfigurata e prende le sembianze di una statua greca. La vicenda drammatica si conclude con il sorriso ironico del narratore, che commenta l'accaduto insieme a un dottore.
Un'intestazione editoriale definisce il testo "novella".
La conclusione del testo riporta, accanto alla firma, l'indicazione "Napoli 1913".</text>
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                <text>Prose published on «L'illustrazione italiana», 26th December 1915, pp. 554-561.
It tells the story of Miss Eleanor Quarrell, an intelligent and hunchbacked young English "theosophist" who is a friend of the narrator, and the events that occurred in Sicily on the border between dream and hallucination: on a full moon night, during a classical music concert held at the ruins of a Greek temple, Miss Quarrell appears transfigured and takes the form of a Greek statue. The dramatic episode ends with a humorous smile from the narrator, who comments on the matter with a doctor.
An editorial header defines the text as a "novella".
The conclusion of the text bears, next to the signature, the indication "Napoli 1913".</text>
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                <text>Nessuna immagine associata al testo di Gozzano</text>
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                <text>No image next Gozzano's text</text>
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                <text>Writer: Guido Gozzano</text>
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                <text>1915-12-26</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>«L'illustrazione italiana»</text>
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                <text>Milan</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="82284">
                <text>CC0</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Periodical cover dimension (cm): 43</text>
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                <text>Original format: microfilm</text>
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                <text>Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Format: jpg</text>
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                <text>File dimension (pixels): 6000 × 4000</text>
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        <name>Guido Gozzano</name>
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                  <text>All Our Yesterdays, crowdsourcing campaign in Pisa (2014)</text>
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          <description>The actual physical size of the original image</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Antonio Ricci</text>
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                <text>Giorgio Giglioli</text>
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                <text>All'aperto</text>
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                <text>Talking open air</text>
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                <text>uomini che parlano in mezzo alla vegetazione</text>
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            <description>The topic of the resource</description>
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                <text>All Our Yesterdays digitisation in Pisa, 2014</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Promoter Digital Gallery</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="24346">
                <text>CC BY NC 4.0</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text> image/tiff</text>
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            <description>A language of the resource</description>
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                  <text>foto di famiglia raccolte e digitalizzate in occasione dell'evento organizzato da Photoconsortium International Consortium for Photographic Heritage presso il Museo della Grafica di Pisa, nell'ambito del progetto Erasmus+ CitizenHeritage&lt;br /&gt;&lt;br /&gt;family album photos collected and digitalized in the occasion of the event organized by Photoconsortium International Consortium for Photographic Heritage at the Museum of Graphics in Pisa in the context of the Erasmus+ project CitizenHeritage</text>
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                  <text>Citizen Heritage Multiplier event and Collection Day &lt;br /&gt;28/6/2022 &lt;br /&gt;&lt;a href="https://www.citizenheritage.eu/multiplier-events/Pisa/" target="_blank"&gt;https://www.citizenheritage.eu/multiplier-events/Pisa/&lt;/a&gt;</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Toscana</text>
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            <description>The topic of the resource</description>
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                <text>lifestyle and leisure</text>
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                <text>1945</text>
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                <text>tre donne e due uomini posano fuori davanti la casa</text>
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                <text>Citizen Heritage Collection Day, Pisa 28 June 2022</text>
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                <text>soldati e ufficiali in alta uniforme estiva, il più alto in grado indossa un cappello con la piuma, e altre persone vestite eleganti, forse a una parata. Una signora si trova al centro della scena, presumibilmente accanto al marito alto ufficiale, con un </text>
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                <text> Viaggio in Cina pag. 389</text>
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                <text>Altare del tempio del cielo</text>
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                <text>Incisione dal libro  "Viaggio in Cina" di J. Thompson e T. Choutzé. Nel libro il nome è erroneamente scritto Thompson, ma l'autore è il viaggiatore e fotografo scozzese John Thomson (1837-1921), mentre T. Choutzé (朱茨) è lo pseudonimo di Gabriel Devéria (1844-1899), un diplomatico e interprete francese che lavorò e viaggiò a lungo in Cina.</text>
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                <text>Viaggio in Cina, old book</text>
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                <text>Valeria Belluomini</text>
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                <text>quattro ragazze sorridenti e in posa&#13;
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                <text>four young women smiling and posing outside</text>
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                <text>01/01/1946 - 31/12/1946</text>
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                <text>All Our Yesterdays digitisation in Pisa, 2014</text>
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                <text>Promoter Digital Gallery</text>
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                <text>CC BY NC 4.0</text>
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                <text> image/tiff</text>
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                <text>Italiano</text>
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        <name>sorriso</name>
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                  <text>Dr. Marta Pizzagalli &lt;br /&gt;USI Università della Svizzera italiana &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi&lt;/em&gt;</text>
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              <description>An account of the resource</description>
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                  <text>The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works.</text>
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                <text>Issue within the collection: 65</text>
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                <text>Identifier name: Donna_11</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Amori d'altri tempi. La marchesa di Cavour (1)</text>
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            <description>A related resource</description>
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                <text>Text reference edition: Guido Gozzano, "Anacronismi e didascalie. Prose varie 1903-1916", a cura di Marco Maggi, Roma, Edizioni di Storia e Letteratura, 2023.</text>
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            <description>An account of the resource</description>
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                <text>Prosa pubblicata su «La Donna», 5 marzo 1914, pp. 14-16.
Racconta la vicenda secentesca di Giovanna Maria di Trecesson, Marchesa di Cavour e amante del duca Carlo Emanuele II, a sua volta marito di Giovanna Maria di Savoia Nemours e padre del futuro Vittorio Amedeo II. Si tratta di una rievocazione storica, ambientata nella Torino del 1668, che utilizza come fonte la canzone popolare piemontese "La Marchesa di Cavour".
Il testo è anticipato da una presentazione dell'editore, che introduce il testo come primo di una serie di articoli di rievocazione di figure femminili del seicento e settecento firmati da Guido Gozzano.
Il titolo è inserito in un fregio editoriale (cliché).</text>
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              <elementText elementTextId="81779">
                <text>Prose published on «La Donna», 5th March 1914, pp. 14-16.
It tells the 17th-century story of Giovanna Maria di Trecesson, Marquess of Cavour and mistress of Duke Carlo Emanuele II, himself husband of Giovanna Maria di Savoia Nemours and father of the future Vittorio Amedeo II. It is a historical re-evocation, set in 1668 Turin, which uses the Piedmontese folk song "La Marchesa di Cavour" as its source.
The text is preceded by an introduction by the publisher, who presents the text as the first in a series of re-evocations of seventeenth- and eighteenth-century female figures by Guido Gozzano.
The title is embedded in an editorial frieze (cliché).</text>
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                <text>N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo.
Fig. 1 (fotografia dell'incisione di un) ritratto di nobildonna del Seicento, Cristina di Francia, inserito in una cornice ottagonale. Incisione originale opera di Balthasar Moncornet. Dimensioni: ca. 10x12 cm. Posizione: facciata destra, in alto a sinistra.
Fig. 2 (fotografia dell'incisione di un) ritratto di nobiluomo del Settecento, Vittorio Amedeo III, inserito in una cornice ovale. Incisione originale opera di Jean Baptiste Boucheron (disegnatore) e Augustin de Saint-Aubin (incisore). Dimensioni: ca. 10x12 cm. Posizione: facciata destra, in alto a destra.
Fig. 3 (fotografia dell'incisione di un) ritratto di nobiluomo del Seicento, Carlo Emanuele II, inserito in una cornice ovale circondata da decorazioni e iscrizioni. Incisione originale opera di F.I.D. Lange (disegnatore) e Giorgio Tasniere (incisore). Dimensioni: ca. 8x10 cm. Posizione: facciata destra, in basso al centro.</text>
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                <text>Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order.
Fig. 1 (photograph of an engraving of a) portrait of a 17th century noblewoman, Cristina of France, set in an octagonal frame. Original engraving by Balthasar Moncornet. Dimensions: ca. 10x12 cm. Position: right page, top left.
Fig. 2 (photograph of an engraving of a) portrait of an 18th century nobleman, Vittorio Amedeo III, set in an oval frame. Original engraving by Jean Baptiste Boucheron (drawer) and Augustin de Saint-Aubin (engraver). Dimensions: ca. 10x12 cm. Position: right page, top right.
Fig. 3 (photograph of the engraving of a) portrait of a 17th century nobleman, Carlo Emmanuele II, set in an oval frame surrounded by decorations and inscriptions. Original engraving by F.I.D. Lange (drawer) and Giorgio Tasniere (engraver). Dimensions: ca. 8x10 cm. Position: right page, bottom center.</text>
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                <text>Fig. 1 didascalia: "Cristina di Francia, Duchessa di Savoia, moglie di Vittorio Amedeo II. (Riproduz. Pavia-Nay)".
Fig. 2 didascalia: "Vittorio Amedeo II, marito di Cristina di Francia. (Riproduz. Pavia-Nay)".
Fig. 3 didascalia: "Carlo Emanuele II di Savoia da un ritratto esistente nella Biblioteca Reale di Torino".</text>
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              <elementText elementTextId="81783">
                <text>Fig. 1 caption: "Cristina of France, Duchess of Savoy, wife of Victor Amadeus II. (Reproduction Pavia-Nay)" (Eng. transl.).
Fig. 2 caption: "Vittorio Amedeo II, husband of Christine of France. (Reproduction Pavia-Nay)" (Eng. transl.).
Fig. 3 caption: "Carlo Emmanuele II of Savoy from a portrait in the Royal Library of Turin" (Eng. transl.).</text>
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              <elementText elementTextId="81784">
                <text>Space on the page occupied by images of Gozzano's texts: 17%</text>
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              <elementText elementTextId="81785">
                <text>N. of images next to Gozzano's text: 3</text>
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          <element elementId="39">
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                <text>Writer: Guido Gozzano</text>
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                <text>Illustrators: Baptiste Boucheron, F.I.D. Lange, Balthasar Moncornet, Augustin de Saint-Aubin,
Giorgio Tasniere</text>
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                <text>Photographers: Pavia-Nay</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="81789">
                <text>1914-03-05</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="81790">
                <text>«La donna»</text>
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              <elementText elementTextId="81791">
                <text>Turin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81792">
                <text>CC0</text>
              </elementText>
            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="81793">
                <text>Periodical cover dimension (cm): 35</text>
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              <elementText elementTextId="81794">
                <text>Original format: microfilm</text>
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              <elementText elementTextId="81795">
                <text>Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="81796">
                <text>Format: jpg</text>
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              <elementText elementTextId="81797">
                <text>File dimension (pixels): 6000 × 4000</text>
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        <name>Balthasar Moncornet</name>
      </tag>
      <tag tagId="1623">
        <name>Baptiste Boucheron</name>
      </tag>
      <tag tagId="1607">
        <name>decoration (cliché)</name>
      </tag>
      <tag tagId="1625">
        <name>F.I.D. Lange</name>
      </tag>
      <tag tagId="1626">
        <name>Giorgio Tasniere</name>
      </tag>
      <tag tagId="1456">
        <name>Guido Gozzano</name>
      </tag>
      <tag tagId="1627">
        <name>Pavia-Nay</name>
      </tag>
      <tag tagId="1454">
        <name>photography</name>
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        <name>prose</name>
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  <item itemId="4543" public="1" featured="1">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="75924">
                  <text>Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="75925">
                  <text>Dr. Marta Pizzagalli &lt;br /&gt;USI Università della Svizzera italiana &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi&lt;/em&gt;</text>
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            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="75926">
                  <text>Promoter Digital Gallery for USI</text>
                </elementText>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="76263">
                  <text>The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="81798">
                <text>Issue within the collection: 66</text>
              </elementText>
              <elementText elementTextId="81799">
                <text>Identifier name: Donna_12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81800">
                <text>Amori d'altri tempi. La marchesa di Cavour (2)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="81801">
                <text>Text reference edition: Guido Gozzano, "Anacronismi e didascalie. Prose varie 1903-1916", a cura di Marco Maggi, Roma, Edizioni di Storia e Letteratura, 2023.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81802">
                <text>Prosa pubblicata su «La Donna», 5 marzo 1914, pp. 14-16.
Racconta la vicenda secentesca di Giovanna Maria di Trecesson, Marchesa di Cavour e amante del duca Carlo Emanuele II, a sua volta marito di Giovanna Maria di Savoia Nemours e padre del futuro Vittorio Amedeo II. Si tratta di una rievocazione storica, ambientata nella Torino del 1668, che utilizza come fonte la canzone popolare piemontese "La Marchesa di Cavour".
Il testo è anticipato da una presentazione dell'editore, che introduce il testo come primo di una serie di articoli di rievocazione di figure femminili del seicento e settecento firmati da Guido Gozzano.
Il titolo è inserito in un fregio editoriale (cliché).</text>
              </elementText>
              <elementText elementTextId="81803">
                <text>Prose published on «La Donna», 5th March 1914, pp. 14-16.
It tells the 17th-century story of Giovanna Maria di Trecesson, Marquess of Cavour and mistress of Duke Carlo Emanuele II, himself husband of Giovanna Maria di Savoia Nemours and father of the future Vittorio Amedeo II. It is a historical re-evocation, set in 1668 Turin, which uses the Piedmontese folk song "La Marchesa di Cavour" as its source.
The text is preceded by an introduction by the publisher, who presents the text as the first in a series of re-evocations of seventeenth- and eighteenth-century female figures by Guido Gozzano.
The title is embedded in an editorial frieze (cliché).</text>
              </elementText>
              <elementText elementTextId="81804">
                <text>Nessuna immagine associata al testo di Gozzano</text>
              </elementText>
              <elementText elementTextId="81805">
                <text>No image next Gozzano's text</text>
              </elementText>
              <elementText elementTextId="81806">
                <text>N. of images next to Gozzano's text: 0</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81807">
                <text>Writer: Guido Gozzano</text>
              </elementText>
              <elementText elementTextId="81808">
                <text> </text>
              </elementText>
              <elementText elementTextId="81809">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81810">
                <text>1914-03-05</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="81811">
                <text>«La donna»</text>
              </elementText>
              <elementText elementTextId="81812">
                <text>Turin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81813">
                <text>CC0</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="81814">
                <text>Periodical cover dimension (cm): 35</text>
              </elementText>
              <elementText elementTextId="81815">
                <text>Original format: microfilm</text>
              </elementText>
              <elementText elementTextId="81816">
                <text>Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81817">
                <text>Format: jpg</text>
              </elementText>
              <elementText elementTextId="81818">
                <text>File dimension (pixels): 6000 × 4000</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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        <name>Guido Gozzano</name>
      </tag>
      <tag tagId="1619">
        <name>prose</name>
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