252 10 2769 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving, illustration from book Physical Dimensions The actual physical size of the original image 10x14cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context bibbia-15 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Creator An entity primarily responsible for making the resource Rembrandt Harmenszoon van Rijn Jean-Denis Nargeot Title A name given to the resource The Return of Tobie Le retour de Tobie Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Subject The topic of the resource religion and belief Date A point or period of time associated with an event in the lifecycle of the resource 1846 Description An account of the resource Illustration from the book "La Sainte Bible" (1846), portraying the return of Tobie Illustrazione dal libro "La Saint Bible" (1846), che ritrae il ritorno di Tobia Source A related resource from which the described resource is derived La Sainte Bible traduite par Lemaistre de Sacy, Furne et C.ie Editeurs Publisher An entity responsible for making the resource available Promoter Digital Gallery angel return tobie https://digitalgallery.promoter.it/files/original/3297a81de160cf543aa2144edc49a291.jpg efea04f7a8ce2ac60bd6bda8eaaf53b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Sainte Bible (1846) Description An account of the resource La Sainte Bible traduite par Lemaistre de Sacy, Furne et C.ie Editeurs Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving, illustration from book Physical Dimensions The actual physical size of the original image 10x14cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context bibbia-15 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Creator An entity primarily responsible for making the resource Rembrandt Harmenszoon van Rijn Jean-Denis Nargeot Title A name given to the resource The Return of Tobie Le retour de Tobie Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Paris Subject The topic of the resource religion and belief Date A point or period of time associated with an event in the lifecycle of the resource 1846 Description An account of the resource Illustration from the book "La Sainte Bible" (1846), portraying the return of Tobie Illustrazione dal libro "La Saint Bible" (1846), che ritrae il ritorno di Tobia Source A related resource from which the described resource is derived La Sainte Bible traduite par Lemaistre de Sacy, Furne et C.ie Editeurs Publisher An entity responsible for making the resource available Promoter Digital Gallery Rights Information about rights held in and over the resource CC-BY-SA angel return tobie https://digitalgallery.promoter.it/files/original/e0d0e4f351a1d7e55960a35e9f44dd8e.jpg 588f343f72957fd34ab10b0302654234 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Storia del costume dei popoli attraverso i secoli Creator An entity primarily responsible for making the resource by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theatrical masks Maschere sceniche Subject The topic of the resource illustration Description An account of the resource Illustration of Greek theatrical masks from the book 'History of the Costume of Peoples Through the Centuries' by Paolo Lorenzini, Nerbini Publishing House, Florence, 1934. For theatrical competitions, each of the ten tribes had a chorus and a leader, called the 'correggitore,' who had to be at least forty years old. It was his responsibility to select the actors. He was assisted by a dance master and a flute player. Special judges were appointed to judge these competitions, and the prize awarded to the winners was generally a metal tripod of varying value, kept in a temple in honor of the victors. Illustrazione di maschere sceniche greche dal libro "Storia del costume dei popoli attraverso i secoli" di Paolo Lorenzini, Casa Editrice Nerbini, Firenze, 1934. Per le gare sceniche, ognuna delle dieci tribù aveva un coro e il capo che lo dirigeva, chiamato correggitore, che doveva avere almeno quarant'anni. A lui spettava di scegliere gli attori. Aveva come collaboratori un maestro di danza e un suonatore di flauto. Speciali giudici erano chiamati a giudicare queste gare, e il premio assegnato ai vincitori era generalmente un tripode di metallo più o meno prezioso, conservato in un tempio a gloria dei vincitori. Creator An entity primarily responsible for making the resource Nerbini Publishing House Source A related resource from which the described resource is derived Book "Storia del costume dei popoli attraverso i secoli" by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934 Publisher An entity responsible for making the resource available Promoter Digital Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1934 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Rights Information about rights held in and over the resource CC-BY Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource en/it Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context c115 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Florence https://digitalgallery.promoter.it/files/original/7091dc3cdda2350800c0d5f48aa75731.jpg 2818aec8110b7f26ca691c8f446ea2ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viaggio in Cina, illustrazioni dal libro Subject The topic of the resource Incisioni dal libro "Viaggio in Cina" di J. Thompson e T. Choutzé. Fratelli Treves Editori, circa 1900. Description An account of the resource Nel libro il nome è erroneamente scritto Thompson, ma l'autore è il viaggiatore e fotografo scozzese John Thomson (1837-1921), mentre T. Choutzé (朱茨) è lo pseudonimo di Gabriel Devéria (1844-1899), un diplomatico e interprete francese che lavorò e viaggiò a lungo in Cina. Creator An entity primarily responsible for making the resource Fratelli Treves Editori Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving, illustration from book Paper Physical Dimensions The actual physical size of the original image unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Viaggio in Cina pag. 251 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Creator An entity primarily responsible for making the resource Fratelli Treves Editori Title A name given to the resource Tibetano, firmato da G. H. Barbant ed E. Ronjat Tibetan, signed by G. H. Barbant and E. Ronjat Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant China Subject The topic of the resource human interest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1900 Description An account of the resource Incisione dal libro "Viaggio in Cina" di J. Thompson e T. Choutzé. Nel libro il nome è erroneamente scritto Thompson, ma l'autore è il viaggiatore e fotografo scozzese John Thomson (1837-1921), mentre T. Choutzé (朱茨) è lo pseudonimo di Gabriel Devéria (1844-1899), un diplomatico e interprete francese che lavorò e viaggiò a lungo in Cina. Engraving from the book "Viaggio in Cina" by J. Thompson and T. Choutzé, illustrated with 167 engravings. In the book the name is mispelled as Thompson, but the author is the Scottish photographer and traveller John Thomson (1837-1921), while T. Choutzé (朱茨) is the pseudonym of Gabriel Devéria (1844-1899), a French diplomat and interpreter who worked and travelled in China. Source A related resource from which the described resource is derived Viaggio in Cina, old book Publisher An entity responsible for making the resource available Promoter Digital Gallery Rights Information about rights held in and over the resource CC-BY-SA Format The file format, physical medium, or dimensions of the resource image/jpg 738x1400 Language A language of the resource it/eng Type The nature or genre of the resource Still image abbigliamento ritratto https://digitalgallery.promoter.it/files/original/d6d9b77da0cbb87c54de8a1aede55e77.jpg b21bcc804bdd6d495c8958968f01809f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Storia del costume dei popoli attraverso i secoli Creator An entity primarily responsible for making the resource by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tomb di Akbar Tomba di Akbar Subject The topic of the resource illustration Description An account of the resource Illustration of the tomb of Akbar the Great, one of the masterpieces of Mughal architecture, built between 1605 and 1613 and located within a 48-hectare site in Sikandra, a suburb of Agra, Uttar Pradesh, India. From the book "History of Costumes of Peoples Throughout the Centuries" by Paolo Lorenzini, Nerbini Publishing House, Florence, 1934. Illustrazione della tomba di Akbar il Grande, uno dei capolavori dell'architettura moghul, costruito tra il 1605 ed il 1613 e situato all'interno di un terreno di 48 ettari a Sikandra, sobborgo di Agra, Uttar Pradesh, in India. Dal libro "Storia del costume dei popoli attraverso i secoli" di Paolo Lorenzini, Casa Editrice Nerbini, Firenze, 1934. Creator An entity primarily responsible for making the resource Nerbini Publishing House Source A related resource from which the described resource is derived Book "Storia del costume dei popoli attraverso i secoli" by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934 Publisher An entity responsible for making the resource available Promoter Digital Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1934 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Rights Information about rights held in and over the resource CC-BY Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource en/it Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context c155 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Florence https://digitalgallery.promoter.it/files/original/aa014b7052122a5b077f1a34f83ae21c.jpg 1d467782b935d5bc6688b3c3d390c03c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Storia del costume dei popoli attraverso i secoli Creator An entity primarily responsible for making the resource by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tomb of Hyder Ali Khan Tomba di Hyder Ali Khan Subject The topic of the resource illustration Description An account of the resource Illustration of the tomb of Hyder Ali Khan, Sultan of Mysore, India, from the book "History of Costumes of Peoples Throughout the Centuries" by Paolo Lorenzini, Nerbini Publishing House, Florence, 1934. Illustrazione della tomba di Hyder Ali Khan, sultano di Mysore, India, dal libro "Storia del costume dei popoli attraverso i secoli" di Paolo Lorenzini, Casa Editrice Nerbini, Firenze, 1934. Creator An entity primarily responsible for making the resource Nerbini Publishing House Source A related resource from which the described resource is derived Book "Storia del costume dei popoli attraverso i secoli" by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934 Publisher An entity responsible for making the resource available Promoter Digital Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1934 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Rights Information about rights held in and over the resource CC-BY Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource en/it Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context c154 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Florence https://digitalgallery.promoter.it/files/original/85a629e5cb6da74642c932f4f9d726ee.jpg 873a68d0452260a608cba60b6d4bbc52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All Our Yesterdays, crowdsourcing campaign in Pisa (2014) Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph paper Physical Dimensions The actual physical size of the original image 18 x 24 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 701 Contributor An entity responsible for making contributions to the resource Paul D. Fisher Creator An entity primarily responsible for making the resource Unknown Title A name given to the resource Tomba di Bitta Von Tolle Funeral monument of Bitta Van Tolle Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Weiron Description An account of the resource la tomba di Bitta coperta di fiori the tomb of Bitta covered with flowers Subject The topic of the resource lifestyle and leisure Date A point or period of time associated with an event in the lifecycle of the resource 01/09/1928 - 31/09/1929 Source A related resource from which the described resource is derived All Our Yesterdays digitisation in Pisa, 2014 Publisher An entity responsible for making the resource available Promoter Digital Gallery Rights Information about rights held in and over the resource CC BY NC 4.0 Format The file format, physical medium, or dimensions of the resource image/tiff 4060x2961 Language A language of the resource Italiano Type The nature or genre of the resource Still image cimitero fiori tomba https://digitalgallery.promoter.it/files/original/bfe0ef9bda455b47f02f5528b2c9fba2.JPG 2b9ec4f14bc397b8c7c2d589e508a325 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource INCULTUM, H2020 project Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data digital photograph jpg 1950x1300 px digital photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context irl 16 Contributor An entity responsible for making contributions to the resource Promoter S.r.l. Creator An entity primarily responsible for making the resource Pietro Masi Title A name given to the resource Tombstones in Rath Luirc cemetery Lapidi nel cimitero di Rath Luirc Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland Subject The topic of the resource statue Date A point or period of time associated with an event in the lifecycle of the resource 2023 Description An account of the resource Four tombstones, one beside the other, sorrounded by overgrown weeds and a stone wall with plants behind them. Quattro lapidi, una accanto all'altra, circondate da erba alta e con dietro un muro di pietra. Source A related resource from which the described resource is derived INCULTUM H2020 project Publisher An entity responsible for making the resource available Promoter Digital Gallery Rights Information about rights held in and over the resource CC-BY Language A language of the resource en/it Type The nature or genre of the resource Still image cemetery tombstone wall weeds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 71 Identifier name: ExpoTorino_1 Title A name given to the resource Torino suburbana. La gran cuoca (1) Relation A related resource Text reference edition: Guido Gozzano, "Il paese fuori del mondo. Prose per l'Esposizione di Torino del 1911", a cura di Eliana A. Pollone, Torino, Nino Aragno Editore, 2011. Description An account of the resource Prosa pubblicata su «L'esposizione di Torino», giugno 1911, pp. 398-401. Descrive con ironia la quotidianità del mercato di Porta Palazzo di Torino. Prose published on «L'esposizione di Torino», June 1911, pp. 398-401. It describes the everyday life of the Porta Palazzo market in Turin with irony. N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 iniziale decorata. Dimensioni: ca. 6x7 cm. Posizione: facciata sinistra, in alto a sinistra. Fig. 2 fotografia di due donne in dialogo davanti a un bancone pieno di fiori in vendita. Dimensioni: ca. 11x6 cm. Posizione: facciata sinistra, in alto a destra. Fig. 3 fotografia di una strada affollata di persone con cesti per le compere. Dimensioni: ca. 11x9 cm. Posizione: facciata sinistra, al centro a destra. Fig. 4 fotografia di una piazza di mercato, due donne in primo piano nell'atto di valutare delle stoffe. Dimensioni: ca. 11x9 cm. Posizione: facciata sinistra, al centro a sinistra. Fig. 5 fotografia di un bancone del mercato, davanti a cui vi sono tre donne, due delle quali guardano l'obiettivo. Dimensioni: ca. 12x6 cm. Posizione: facciata sinistra, in basso a destra. Fig. 6 fotografia di un bancone di funghi da cui la venditrice si rivolge a una potenziale cliente. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in alto a sinistra. Fig. 7 fotografia di un bancone dietro al quale sta una donna con le mani sui fianchi mentre guarda l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in alto a destra. Fig. 8 fotografia di un bancone di verdure. Immagine inserita in una cornice ovale. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, al centro. Fig. 9 fotografia di una strada del mercato affollata di numerose donne con in mano cesti per le compere, alcune guardano l'obiettivo. Dimensioni: ca. 11x6 cm. Posizione: facciata destra, in basso a sinistra. Fig. 10 fotografia di un bancone di utensili per la casa, davanti a cui sta una donna che dà le spalle all'obiettivo. Dimensioni: ca. 10x6 cm. Posizione: facciata destra, in basso a destra. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 decorated initial. Dimensions: ca. 6x7 cm. Position: left page, top left. Fig. 2 photograph of two women in dialogue in front of a counter full of flowers for sale. Dimensions: ca. 11x6 cm. Position: left page, top right. Fig. 3 photograph of a street crowded with people with shopping baskets. Dimensions: ca. 11x9 cm. Position: left page, center right. Fig. 4 photograph of a market square, two women in the foreground in the act of evaluating fabrics. Dimensions: ca. 11x9 cm. Position: left page, center left. Fig. 5 photograph of a market counter, in front of which there are three women, two of whom are looking at the lens. Dimensions: ca. 12x6 cm. Position: left page, bottom right. Fig. 6 photograph of a mushroom counter from which the saleswoman is addressing a potential customer. Dimensions: ca. 11x8 cm. Position: right page, top left. Fig. 7 photograph of a counter behind which stands a woman with her hands on her hips as she looks at the lens. Dimensions: ca. 11x8 cm. Position: right page, top right. Fig. 8 photograph of a vegetable counter. Image inserted in an oval frame. Dimensions: ca. 11x8 cm. Position: right page, centered. Fig. 9 photograph of a market street crowded with numerous women holding shopping baskets, some looking at the lens. Dimensions: ca. 11x6 cm. Position: right page, bottom left. Fig. 10 photograph of a counter of household utensils, in front of which stands a woman with her back to the lens. Dimensions: ca. 10x6 cm. Position: right page, bottom right. Fig. 1 nessuna didascalia. Fig. 2 didascalia: "Fior da fiore… Clichè Crespi". Fig. 3 didascalia: "Un confuso tam tam di voci assordanti… Clichè Crespi". Fig. 4 didascalia: "Un contratto prolungato… Clichè Crespi". Fig. 5 didascalia: "Fresche come la loro merce… Clichè Crespi". Fig. 6 didascalia: "Profferta inutile… Clichè Crepi". Fig. 7 didascalia: "Atteggiamento di sfida… Clichè Crespi". Fig. 8 didascalia: "…tutto il regno d'un vegetariano militante…". Fig. 9 didascalia: "…Giunoni nerborute che fanno pensare ad una lotta probabile… Clichè Crespi". Fig. 10 didascalia: "Sorpresa a tergo… Clichè Crespi". Fig. 1 no caption. Fig. 2 caption: "Flower from flower... Clichè Crespi" (Eng. transl.). Fig. 3 caption: "A confused tam tam of deafening voices... Clichè Crespi" (Eng. transl.). Fig. 4 caption: "An extended contract... Clichè Crespi" (Eng. transl.). Fig. 5 caption: "Fresh as their wares... Crespi clichés" (Eng. transl.). Fig. 6 caption: "Useless offer... Clichè Crepi" (Eng. transl.). Fig. 7 caption: "Attitude of defiance... Clichè Crespi" (Eng. transl.). Fig. 8 caption: "...the whole realm of a militant vegetarian…" (Eng. transl.). Fig. 9 caption: "...sinewy Junos hinting at a probable fight... Clichè Crespi" (Eng. transl.). Fig. 10 caption: "Surprised from behind... Clichè Crespi" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 31% N. of images next to Gozzano's text: 10 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Illustrator: unknown Photographers: Cliché Crespi Date A point or period of time associated with an event in the lifecycle of the resource 1911-06 Publisher An entity responsible for making the resource available «L'esposizione di Torino» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 41 Original format: paper periodical Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Cliché Crespi drawing Guido Gozzano photography prose Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 72 Identifier name: ExpoTorino_2 Title A name given to the resource Torino suburbana. La gran cuoca (2) Relation A related resource Text reference edition: Guido Gozzano, "Il paese fuori del mondo. Prose per l'Esposizione di Torino del 1911", a cura di Eliana A. Pollone, Torino, Nino Aragno Editore, 2011. Description An account of the resource Prosa pubblicata su «L'esposizione di Torino», giugno 1911, pp. 398-401. Descrive con ironia la quotidianità del mercato di Porta Palazzo di Torino. Prose published on «L'esposizione di Torino», June 1911, pp. 398-401. It describes the everyday life of the Porta Palazzo market in Turin with irony. N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 fotografia di un bancone di frutta, davanti a cui stanno due donne che guardano l'obiettivo e un cane. Dimensioni: ca. 11x16 cm. Posizione: facciata sinistra, in alto a sinistra. Fig. 2 fotografia di un bancone di pesce, dietro al quale stanno diverse persone che guardano l'obiettivo. Dimensioni: ca. 12x10 cm. Posizione: facciata sinistra, in alto a destra. Fig. 3 fotografia di un bancone del mercato, davanti a cui stanno diverse persone, tra cui una donna stretta a un bambino, entrambi guardano l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata sinistra, in basso a sinistra. Fig. 4 fotografia di un bancone di verdura, dietro a cui sta una donna che guarda l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata sinistra, in basso a destra. Fig. 5 fotografia di un bancone di polli, con accanto una donna che ne indica alcuni e guarda verso l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in alto a sinistra. Fig. 6 fotografia di un bancone di macelleria, dietro cui sta una donna che guarda l'obiettivo. Dimensioni: ca. 11x16 cm. Posizione: facciata destra, in alto a destra. Fig. 7 fotografia di un bancone di macelleria davanti a cui sta una donna. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in basso a sinistra. Fig. 8 fotografia di un cesto di conigli vivi. L'immagine è usata come postfazione. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in basso a destra. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 photograph of a fruit counter, in front of which stand two women looking at the lens and a dog. Dimensions: ca. 11x16 cm. Position: left page, top left. Fig. 2 photograph of a fish counter, behind which stand several people looking at the lens. Dimensions: ca. 12x10 cm. Position: left page, top right. Fig. 3 photograph of a market counter, in front of which stand several people, including a woman holding a child, both looking at the lens. Dimensions: ca. 11x8 cm. Position: left page, bottom left. Fig. 4 photograph of a vegetable counter, behind which stands a woman looking at the lens. Dimensions: ca. 11x8 cm. Position: left page, bottom right. Fig. 5 photograph of a chicken counter, with a woman standing next to it, pointing at some of them and looking at the lens. Dimensions: ca. 11x8 cm. Position: right page, top left. Fig. 6 photograph of a butcher's counter, behind which stands a woman looking at the lens. Dimensions: ca. 11x16 cm. Position: right page, top right. Fig. 7 photograph of a butcher's counter in front of which stands a woman. Dimensions: ca. 11x8 cm. Position: right page, bottom left. Fig. 8 photograph of a basket of live rabbits. The image is placed as an afterword. Dimensions: ca. 11x8 cm. Position: right page, bottom right. Fig. 1 didascalia: "Caschi di banane, evocanti le plaghe d'oltremare. Clichè Crespi". Fig. 2 didascalia: "In vedetta dell'avvenire… pronte alla cortesia e al litigio, alla lusinga e alla contumelia… Clichè Crespi". Fig. 3 didascalia: "Pomona suburbana… Clichè Crespi". Fig. 4 didascalia: "Tutta la gamma del verde… Clichè Crespi". Fig. 5 didascalia: "Filze di 'Chanteelers' dai colli penduli… Clichè Crespi". Fig. 6 didascalia: "…si direbbe che l'esaltazione della carne conferisca loro una speciale freschezza… Clichè Crespi". Fig. 7 didascalia: "Salme predestinate al gaudio delle mense borghesi. Clichè Crespi". Fig. 8 didascalia: "…morituri te salutant… Clichè Crespi". Fig. 1 caption: "Helmets of bananas, evoking overseas plains. Clichè Crespi" (Eng. transl.). Fig. 2 caption: "On the lookout for the future... ready for courtesy and quarrelling, flattery and contumely... Clichè Crespi" (Eng. transl.). Fig. 3 caption: "Goddess Pomona in suburban version... Clichè Crespi" (Eng. transl.). Fig. 4 caption: "The whole range of green... Clichè Crespi" (Eng. transl.). Fig. 5 caption: "Rows of 'Chanteelers' from pendulous necks... Clichè Crespi" (Eng. transl.). Fig. 6 caption: "...one would say that the exaltation of the flesh gives them a special freshness... Clichè Crespi" (Eng. transl.). Fig. 7 caption: "Corpses predestined for the joy of bourgeois canteens. Clichè Crespi" (Eng. transl.). Fig. 8 caption: "...morituri te salutant... Clichè Crespi". Space on the page occupied by images of Gozzano's texts: 36% N. of images next to Gozzano's text: 8 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Photographers: Cliché Crespi Date A point or period of time associated with an event in the lifecycle of the resource 1911-06 Publisher An entity responsible for making the resource available «L'esposizione di Torino» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 41 Original format: paper periodical Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Cliché Crespi Guido Gozzano photography prose