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                <text>Promoter Digital Gallery</text>
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              <name>Creator</name>
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                  <text>Dr. Marta Pizzagalli &lt;br /&gt;USI Università della Svizzera italiana &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi&lt;/em&gt;</text>
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                  <text>Promoter Digital Gallery for USI</text>
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              <description>An account of the resource</description>
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                  <text>The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works.</text>
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                <text>Issue within the collection: 38</text>
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                <text>Identifier name: cdp_10</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Piumadoro e Piombofino (1)</text>
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                <text>The text is included in the collection "La principessa si sposa" (1917).
Text reference edition: Guido Gozzano, "I tre talismani. La principessa si sposa e altre fiabe", a cura di Matilde Dillon Wanke, Alessandria, Edizioni dell'Orso, 2004.</text>
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                <text>Fiaba pubblicata su «Il corriere dei piccoli», 25 luglio 1909, pp. 5-6.
Racconta la storia della leggerissima Piumadoro, figlia di un carbonaio, divenuta tanto leggera da volare via col vento. Tre aiutanti parlanti, una farfalla, un soffione e uno scarabeo, la aiutano a superare le prove di tre fate maligne. Piumadoro giunge infine al castello del principe Piombofino, affetto dalla maledizione opposta, dell'estremo aumento del peso: grazie a un bacio, entrambi ritrovano l'equilibrio.</text>
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                <text>Fairy tale published on «Il corriere dei piccoli», 25th July 1909, pp. 5-6.
It tells the story of Piumadoro, a coalman's daughter, who became so light that she flew away in the wind. Three talking helpers, a butterfly, a dandelion and a beetle, help her to overcome the trials of three evil fairies. She finally reach the castle of Prince Piombofino, who suffers from the opposite curse of extreme weight gain: thanks to a kiss, they both regain their balance.</text>
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                <text>N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo.
Fig. 1 disegno che rappresenta una bambina alla cui gonna sono appese tre rocce. Alle sue spalle un soffione, un albero e una farfalla. L'immagine è usata come intestazione. L'immagine è firmata "U.B.". Dimensioni: ca. 12x6 cm. Posizione: facciata destra, in alto a sinistra.
Fig. 2 disegno che rappresenta un uomo intento a soffiare in alto verso una bambina in volo. Come sfondo un interno umile e casalingo. L'immagine è firmata "Brunelleschi". Dimensioni: ca. 9x12 cm. Posizione: facciata destra, in basso al centro.</text>
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                <text>Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order.
Fig. 1 drawing of a little girl from whose skirt three rocks hang. Behind her are a dandelion, a tree and a butterfly. The image is placed as a header. The image is signed "U.B.". Dimensions: ca. 12x6 cm. Position: right page, top left.
Fig. 2 drawing of a man intent on blowing towards a little girl in flight. As background a humble, domestic interior. The image is signed "Brunelleschi". Dimensions: ca. 9x12 cm. Position: right page, bottom center.</text>
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                <text>Nessuna didascalia</text>
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                <text>No caption</text>
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                <text>Space on the page occupied by images of Gozzano's texts: 14%</text>
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                <text>N. of images next to Gozzano's text: 2</text>
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                <text>Writer: Guido Gozzano</text>
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                <text>Illustrator: Umberto Brunelleschi</text>
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                <text> </text>
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                <text>1909-07-25</text>
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                <text>«Il corriere dei piccoli»</text>
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                <text>Milan</text>
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                <text>CC0</text>
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                  <text>Dr. Marta Pizzagalli &lt;br /&gt;USI Università della Svizzera italiana &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi&lt;/em&gt;</text>
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                  <text>The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works.</text>
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                <text>Piumadoro e Piombofino (2)</text>
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                <text>The text is included in the collection "La principessa si sposa" (1917).
Text reference edition: Guido Gozzano, "I tre talismani. La principessa si sposa e altre fiabe", a cura di Matilde Dillon Wanke, Alessandria, Edizioni dell'Orso, 2004.</text>
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            <description>An account of the resource</description>
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                <text>Fiaba pubblicata su «Il corriere dei piccoli», 25 luglio 1909, pp. 5-6.
Racconta la storia della leggerissima Piumadoro, figlia di un carbonaio, divenuta tanto leggera da volare via col vento. Tre aiutanti parlanti, una farfalla, un soffione e uno scarabeo, la aiutano a superare le prove di tre fate maligne. Piumadoro giunge infine al castello del principe Piombofino, affetto dalla maledizione opposta, dell'estremo aumento del peso: grazie a un bacio, entrambi ritrovano l'equilibrio.</text>
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                <text>Fairy tale published on «Il corriere dei piccoli», 25th July 1909, pp. 5-6.
It tells the story of Piumadoro, a coalman's daughter, who became so light that she flew away in the wind. Three talking helpers, a butterfly, a dandelion and a beetle, help her to overcome the trials of three evil fairies. She finally reach the castle of Prince Piombofino, who suffers from the opposite curse of extreme weight gain: thanks to a kiss, they both regain their balance.</text>
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                <text>Fig. 1 disegno che rappresenta una donna intenta a guardare fuori da un balcone, mentre un uomo è immerso nel pavimento fino al busto. Come sfondo un interno regale. L'immagine è firmata "Brunelleschi". Dimensioni: ca. 7x9 cm. Posizione: facciata sinistra, in alto a sinistra.</text>
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                <text>Fig. 1 drawing of a woman looking out from a balcony, while a man is immersed in the floor up to the bust. As background a regal interior. The image is signed "Brunelleschi". Dimensions: ca. 7x9 cm. Position: left page, top left.</text>
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                <text>Nessuna didascalia</text>
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                <text>No caption</text>
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                <text>Space on the page occupied by images of Gozzano's texts: 5%</text>
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                <text>N. of images next to Gozzano's text: 1</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Writer: Guido Gozzano</text>
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                <text>Illustrator: Umberto Brunelleschi</text>
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                <text> </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1909-07-25</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>«Il corriere dei piccoli»</text>
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                <text>Milan</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="81179">
                <text>CC0</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Periodical cover dimension (cm): 28,5 x 21,5</text>
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                <text>Original format: paper periodical</text>
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                <text>Digiteca della Biblioteca di storia moderna e contemporanea</text>
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                <text>File dimension (pixels): 2000 × 1300</text>
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              <description>A name given to the resource</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A name given to the resource</description>
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                <text>Pizzo Monaco, granaio fortificato di epoca islamica</text>
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                <text>Monti di Trapani</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Travel Photography in West Sicily, Italy, July 2022 #10</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>INCULTUM H2020 project</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Promoter Digital Gallery</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71223">
                <text>CC-BY</text>
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            <description>A language of the resource</description>
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                <text>en/it</text>
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            <description>The nature or genre of the resource</description>
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                <text>Travel Photography in West Sicily, Italy, July 2022 #11</text>
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                <text>Fotografie di viaggio nella Sicilia Occidentale, Italia, Luglio 2022 #11</text>
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                <text>INCULTUM H2020 project</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>CC-BY</text>
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