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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"75924"},["text","Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916)"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"75925"},["text","Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em>"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"75926"},["text","Promoter Digital Gallery for USI"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"76263"},["text","The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-one texts (32% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works."]]]]]]]],["itemType",{"itemTypeId":"6"},["name","Still Image"],["description","A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"81682"},["text","Issue within the collection: 61"]],["elementText",{"elementTextId":"81683"},["text","Identifier name: Donna_7"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"81684"},["text","Garibaldina"]]]],["element",{"elementId":"46"},["name","Relation"],["description","A related resource"],["elementTextContainer",["elementText",{"elementTextId":"81685"},["text","Text reference edition: Guido Gozzano, \"I sandali della diva. Tutte le novelle\", a cura di Giuliana Nuvoli, Milano, Serra e Riva Editori, 1983."]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"81686"},["text","Prosa pubblicata su «La Donna», 5 agosto 1915, pp. 16-17.\nRacconta l'incontro, avvenuto nella Venaria Reale (Torino) in una casa settecentesca arredata con oggetti moderni, del narratore con la sessantaseienne, Ortensia N. N., che si fa chiamare \"Garibaldina\". La donna, garibaldina fin da giovane, racconta come ha incontrato il marito: una notte del 1861 crolla il soffitto del suo appartamento, facendo ritrovare Cesarino, il figlio garibaldino della famiglia che viveva sopra, nella sua casa. Segue l'innamoramento e il matrimonio dei due. Insieme al narratore la donna riflette sulla natura di quell'amore, arrivando a concludere che abbia \"sposato un garibaldino non potendo sposar Garibaldi\".\nUn'intestazione editoriale definisce il testo \"novella\" e riporta il cognome dell'illustratore Biscaretti."]],["elementText",{"elementTextId":"81687"},["text","Prose published on «La Donna», 5th August 1915, pp. 16-17.\nIt tells the story of the meeting, which took place in Venaria Reale (Turin) in an 18th-century house furnished with modern objects, of the narrator with the 66-year-old woman, Hortensia N., who calls herself \"Garibaldina\". The woman, Garibaldine since her youth, tells how she met her husband: one night in 1861 the ceiling of her flat collapses, causing Cesarino, the Garibaldian son of the family living above, to be found in her house. The falling in love and marriage of the two follows. Together with the narrator, the woman reflects on the nature of that love, coming to the conclusion that she married a Garibaldian because she could not marry Garibaldi.\nAn editorial header defines the text as a \"novella\" and bears the surname of the illustrator Biscaretti."]],["elementText",{"elementTextId":"81688"},["text","N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo.\nFig. 1 disegno che rappresenta una ragazza circondata da due silhuette scure che la rimproverano. Come sfondo due eserciti che si stanno per scontrare. L'immagine è usata come intestazione. Dimensioni: ca. 19x6 cm. Posizione: facciata sinistra, in alto al centro.\nFig. 2 disegno che rappresenta una figura scura di spalle, con in mano una candela, che guarda una stanza il cui soffitto è crollato. Dalle travi spezzate spunta il volto di un ragazzo. Dimensioni: ca. 11x11 cm. Posizione: facciata sinistra, in basso al centro.\nFig. 3 disegno che rappresenta un cannone fumante. L'immagine è usata come postfazione. Dimensioni: ca. 5x5 cm. Posizione: facciata destra, in basso a destra."]],["elementText",{"elementTextId":"81689"},["text","Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order.\nFig. 1 drawing of a woman surrounded by two dark silhouettes scolding her. As background two armies coming to clash. The image is placed as a header. Dimensions: ca. 19x6 cm. Position: left page, top center.\nFig. 2 drawing of a dark figure from behind, holding a candle, looking into a room whose ceiling has collapsed. From the broken beams the face of a man emerges. Dimensions: ca. 11x11 cm. Position: left page, bottom center.\nFig. 3 drawing of a smoking cannon. The image is placed as an afterword. Dimensions: ca. 5x5 cm. Position: right page, bottom right."]],["elementText",{"elementTextId":"81690"},["text","Fig. 1 nessuna didascalia.\nFig. 2 didascalia: \"Tra un cumulo di macerie un uomo s'agitava…\".\nFig. 3 nessuna didascalia."]],["elementText",{"elementTextId":"81691"},["text","Fig. 1 no caption.\nFig. 2 caption: \"Amongst a heap of rubble a man stirred…\" (Eng. transl.).\nFig. 3 no caption."]],["elementText",{"elementTextId":"81692"},["text","Space on the page occupied by images of Gozzano's texts: 13%"]],["elementText",{"elementTextId":"81693"},["text","N. of images next to Gozzano's text: 3"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"81694"},["text","Writer: Guido Gozzano"]],["elementText",{"elementTextId":"81695"},["text","Illustrator: Carlo Biscaretti"]],["elementText",{"elementTextId":"81696"},["text"," "]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"81697"},["text","1915-08-05"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"81698"},["text","«La donna»"]],["elementText",{"elementTextId":"81699"},["text","Turin"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"81700"},["text","CC0"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"81701"},["text","Periodical cover dimension (cm): 35"]],["elementText",{"elementTextId":"81702"},["text","Original format: microfilm"]],["elementText",{"elementTextId":"81703"},["text","Biblioteca nazionale universitaria di Torino"]]]],["element",{"elementId":"42"},["name","Format"],["description","The file format, physical medium, or dimensions of the resource"],["elementTextContainer",["elementText",{"elementTextId":"81704"},["text","Format: jpg"]],["elementText",{"elementTextId":"81705"},["text","File dimension (pixels): 7128 × 4584"]]]]]]],["tagContainer",["tag",{"tagId":"1621"},["name","Carlo Biscaretti"]],["tag",{"tagId":"1604"},["name","drawing"]],["tag",{"tagId":"1456"},["name","Guido Gozzano"]],["tag",{"tagId":"1619"},["name","prose"]]]],["item",{"itemId":"4602","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"3287"},["src","https://digitalgallery.promoter.it/files/original/907388c8356f32195e5ecbbbb72a3cf7.jpg"],["authentication","f4059b37e91b3b6fa66c6e18aa1056b2"]]],["collection",{"collectionId":"18"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"83130"},["text","Gegants del Pi"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"83205"},["text","Images provided by Arxiu Parroquial de Santa Maria del Pi of traditional Giants."]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"83206"},["text","Imagine a six-metre figure dressed in a traditional costume, swaying and spinning to the beat of drums through narrow medieval streets. In Catalonia, these towering puppets — known as gegants — have been a cornerstone of public celebrations for over six centuries. Far more than just a festive spectacle, they are living symbols of a shared identity, rooted in history and carried forward by communities across the region."]]]],["element",{"elementId":"37"},["name","Contributor"],["description","An entity responsible for making contributions to the resource"],["elementTextContainer",["elementText",{"elementTextId":"83207"},["text","Arxiu Parroquial de Santa Maria del Pi"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"83208"},["text","Catalan"]]]]]]]],["itemType",{"itemTypeId":"6"},["name","Still Image"],["description","A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. 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La loro dea più benefica era la madre della terra, che essi chiamavano Herta."]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"75131"},["text","Nerbini Publishing House"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"75132"},["text","Book \"Storia del costume dei popoli attraverso i secoli\" by Paolo Lorenzini, Casa Editrice Nerbini, Florence, 1934"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"75133"},["text","Promoter Digital Gallery"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"75134"},["text","1934"]]]],["element",{"elementId":"37"},["name","Contributor"],["description","An entity responsible for making contributions to the resource"],["elementTextContainer",["elementText",{"elementTextId":"75135"},["text","Promoter S.r.l."]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"75136"},["text","CC-BY"]]]],["element",{"elementId":"42"},["name","Format"],["description","The file format, physical medium, or dimensions of the resource"],["elementTextContainer",["elementText",{"elementTextId":"75137"},["text","jpg"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"75138"},["text","en/it"]]]],["element",{"elementId":"51"},["name","Type"],["description","The nature or genre of the resource"],["elementTextContainer",["elementText",{"elementTextId":"75139"},["text","Still image"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"75140"},["text","c131"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"75141"},["text","Florence"]]]]]]]],["item",{"itemId":"4086","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"3021"},["src","https://digitalgallery.promoter.it/files/original/0ae2999cb80346a047df4d2891c8b36a.jpg"],["authentication","5e6135bf6ebe04c6d25643e9a7c50d1d"]]],["collection",{"collectionId":"14"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The ancient Roman writers were unanimous in stating that the Germanic people had a giant stature and strength greater than the average, very blonde hair, and blue eyes. Their clothing consisted of short tunics tightly fastened at the chest by a belt or a wild animal's hide, with much of their bodies uncovered even in winter, while children were always naked."]],["elementText",{"elementTextId":"75098"},["text","Illustrazione del popolo germanico dal libro \"Storia del costume dei popoli attraverso i secoli\" di Paolo Lorenzini, Casa Editrice Nerbini, Firenze, 1934. Gli antichi scrittori romani erano concordi nel dire che gli uomini germanici avevano stazza gigantesca e forza superiore al comune, capelli biondissimi e occhi blu. 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