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Situ Zhaoguang's Works #83
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #82
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #80
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #79
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #69
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #67
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #66
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #65
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #62
Drawing made by Situ zhaoguang, during the two-year mission to Tibet to work on the public sculpture Anger of the Farming Slaves, commissioned by the state for the Tibetan Exhibition Center
Situ Zhaoguang's Works #57
Situ Zhaoguang 's drawing, made at the Repin Art Institute, where he studied with the sculptor Mikhail Anikushin; collected in the 1966 by the Central Academy of fine art and lost during the Culture Revolution