1 10 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 65 Identifier name: Donna_11 Title A name given to the resource Amori d'altri tempi. La marchesa di Cavour (1) Relation A related resource Text reference edition: Guido Gozzano, "Anacronismi e didascalie. Prose varie 1903-1916", a cura di Marco Maggi, Roma, Edizioni di Storia e Letteratura, 2023. Description An account of the resource Prosa pubblicata su «La Donna», 5 marzo 1914, pp. 14-16. Racconta la vicenda secentesca di Giovanna Maria di Trecesson, Marchesa di Cavour e amante del duca Carlo Emanuele II, a sua volta marito di Giovanna Maria di Savoia Nemours e padre del futuro Vittorio Amedeo II. Si tratta di una rievocazione storica, ambientata nella Torino del 1668, che utilizza come fonte la canzone popolare piemontese "La Marchesa di Cavour". Il testo è anticipato da una presentazione dell'editore, che introduce il testo come primo di una serie di articoli di rievocazione di figure femminili del seicento e settecento firmati da Guido Gozzano. Il titolo è inserito in un fregio editoriale (cliché). Prose published on «La Donna», 5th March 1914, pp. 14-16. It tells the 17th-century story of Giovanna Maria di Trecesson, Marquess of Cavour and mistress of Duke Carlo Emanuele II, himself husband of Giovanna Maria di Savoia Nemours and father of the future Vittorio Amedeo II. It is a historical re-evocation, set in 1668 Turin, which uses the Piedmontese folk song "La Marchesa di Cavour" as its source. The text is preceded by an introduction by the publisher, who presents the text as the first in a series of re-evocations of seventeenth- and eighteenth-century female figures by Guido Gozzano. The title is embedded in an editorial frieze (cliché). N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 (fotografia dell'incisione di un) ritratto di nobildonna del Seicento, Cristina di Francia, inserito in una cornice ottagonale. Incisione originale opera di Balthasar Moncornet. Dimensioni: ca. 10x12 cm. Posizione: facciata destra, in alto a sinistra. Fig. 2 (fotografia dell'incisione di un) ritratto di nobiluomo del Settecento, Vittorio Amedeo III, inserito in una cornice ovale. Incisione originale opera di Jean Baptiste Boucheron (disegnatore) e Augustin de Saint-Aubin (incisore). Dimensioni: ca. 10x12 cm. Posizione: facciata destra, in alto a destra. Fig. 3 (fotografia dell'incisione di un) ritratto di nobiluomo del Seicento, Carlo Emanuele II, inserito in una cornice ovale circondata da decorazioni e iscrizioni. Incisione originale opera di F.I.D. Lange (disegnatore) e Giorgio Tasniere (incisore). Dimensioni: ca. 8x10 cm. Posizione: facciata destra, in basso al centro. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 (photograph of an engraving of a) portrait of a 17th century noblewoman, Cristina of France, set in an octagonal frame. Original engraving by Balthasar Moncornet. Dimensions: ca. 10x12 cm. Position: right page, top left. Fig. 2 (photograph of an engraving of a) portrait of an 18th century nobleman, Vittorio Amedeo III, set in an oval frame. Original engraving by Jean Baptiste Boucheron (drawer) and Augustin de Saint-Aubin (engraver). Dimensions: ca. 10x12 cm. Position: right page, top right. Fig. 3 (photograph of the engraving of a) portrait of a 17th century nobleman, Carlo Emmanuele II, set in an oval frame surrounded by decorations and inscriptions. Original engraving by F.I.D. Lange (drawer) and Giorgio Tasniere (engraver). Dimensions: ca. 8x10 cm. Position: right page, bottom center. Fig. 1 didascalia: "Cristina di Francia, Duchessa di Savoia, moglie di Vittorio Amedeo II. (Riproduz. Pavia-Nay)". Fig. 2 didascalia: "Vittorio Amedeo II, marito di Cristina di Francia. (Riproduz. Pavia-Nay)". Fig. 3 didascalia: "Carlo Emanuele II di Savoia da un ritratto esistente nella Biblioteca Reale di Torino". Fig. 1 caption: "Cristina of France, Duchess of Savoy, wife of Victor Amadeus II. (Reproduction Pavia-Nay)" (Eng. transl.). Fig. 2 caption: "Vittorio Amedeo II, husband of Christine of France. (Reproduction Pavia-Nay)" (Eng. transl.). Fig. 3 caption: "Carlo Emmanuele II of Savoy from a portrait in the Royal Library of Turin" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 17% N. of images next to Gozzano's text: 3 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Illustrators: Baptiste Boucheron, F.I.D. Lange, Balthasar Moncornet, Augustin de Saint-Aubin, Giorgio Tasniere Photographers: Pavia-Nay Date A point or period of time associated with an event in the lifecycle of the resource 1914-03-05 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 Original format: microfilm Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Augustin de Saint-Aubin Balthasar Moncornet Baptiste Boucheron decoration (cliché) F.I.D. Lange Giorgio Tasniere Guido Gozzano Pavia-Nay photography prose