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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916)</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Dr. Marta Pizzagalli &lt;br /&gt;USI Università della Svizzera italiana &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi&lt;/em&gt;</text>
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                  <text>Promoter Digital Gallery for USI</text>
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              <description>An account of the resource</description>
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                  <text>The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Issue within the collection: 109</text>
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                <text>Identifier name: LettSport_1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Guido Gozzano e lo sport</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Text reference edition: Franco Contorbia, "Il sofista subalpino. Tra le carte di Gozzano", Cuneo, L'Arciere, 1980.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Intervista pubblicata su «La lettura sportiva», luglio 1913, p. 10.
Annibale Arano chiede a Gozzano quale sport preferisca. La risposta in rima è pubblicata sulla pagina come manoscritto gozzaniano.
Il manoscritto, che cita dei versi delle "Laudi" di Gabriele D'Annunzio, riporta: "Quale sport prediligo? Non so. Li amo tutti del paro. Tutti sono l'esaltazione della divina Rapidità. 'Rapidità, Rapidità, gioiosa / vittoria sopra il triste peso, aerea / febbre, sete di vento e di splendore / moltiplicato spirito dell'ossea / mole, Rapidità, la prima nata / dall'arco teso che si chiama Vita!' Guido Gozzano".</text>
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                <text>Interview published on «La lettura sportiva», July 1913, p. 10.
Annibale Arano asks Gozzano which sport he prefers. The rhymed answer is published on the page as a manuscript.
The manuscript, which quotes verses from Gabriele D'Annunzio's "Laudi", reads: "Which sport do I prefer? I don't know. I love them all equally. All are the exaltation of divine Rapidity. 'Rapidity, Rapidity, joyous / victory over the sad weight, aerial / fever, thirst for wind and splendour / multiplied spirit of the bony / mole, Rapidity, the first born / from the outstretched bow called Life!' Guido Gozzano".</text>
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                <text>Fig. 1 ritratto fotografico autografato di Guido Gozzano. Dimensioni: ca. 6x9 cm. Posizione: facciata sinistra, in alto a sinistra.</text>
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                <text>Fig. 1 autographed photoportrait of Guido Gozzano. Dimensions: ca. 6x9 cm. Position: left page, top left.</text>
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                <text>Fig. 1 scritta sovrimpressa all'immagine: "Guido Gozzano. S. Francesco d'Albaro, Febbraio 1912".</text>
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                <text>Fig. 1 text superimposed on the picture: "Guido Gozzano. S. Francesco d'Albaro, February 1912" (Eng. transl.).</text>
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                <text>Space on the page occupied by images of Gozzano's texts: 5%</text>
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                <text>N. of images next to Gozzano's text: 1</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Writers: Annibale Arano, Guido Gozzano</text>
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                <text> </text>
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                <text>Photographers: Guido Bosella, Carlo Sciutto</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1913-07</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>«La lettura sportiva»</text>
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                <text>Milan</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="82835">
                <text>CC0</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Periodical cover dimension (cm): 25</text>
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                <text>Original format: paper periodical</text>
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                <text>Su concessione del Ministero della Cultura – Pinacoteca di Brera – Biblioteca Braidense, Milano</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Format: jpg</text>
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                <text>File dimension (pixels): 29575 × 18597</text>
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        <name>Annibale Arano</name>
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        <name>Guido Gozzano</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Beyond Borders: exploring Insubria</text>
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              <description>The topic of the resource</description>
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                  <text>Selection of images from the Heinze Plenge Archives, curated in three themes:&#13;
- From plants to medicines and food&#13;
- From marble to sculptors &#13;
- The sacred&#13;
The images depict natural and cultural heritage of Switzerland, particularly the Monte San Giorgio and nearby areas.&#13;
&#13;
Images selected by UNESCO Chair of the Università della Svizzera italiana in ICT to develop and promote sustainable tourism in world heritage sites and UNESCO Chair of the Università di Genova in Anthropology of Health, Biosphere and Healing Systems in the context of EU project SECreTour.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>digital photograph</text>
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              <text>1536x2048 pixels</text>
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              <text>digital photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>IMG4448</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="79411">
                <text>Promoter S.r.l.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Heinz Plenge</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gymnadenia nigra; Chocolate orchid; its scent is reminiscent of vanilla and chocolate</text>
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                <text>Gymnadenia nigra; orchidea cioccolato; per il suo profumo ricorda la vaniglia e il cioccolato</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Switzerland</text>
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                <text>https://sws.geonames.org/2658434/</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>plants, medicine and food</text>
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                <text>http://vocab.getty.edu/aat/300132360</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2023</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Heinz Plenge Archive</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="79422">
                <text>Promoter Digital Gallery</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>CC-BY-SA</text>
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            <description>A language of the resource</description>
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                <text>en/it</text>
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            <description>The nature or genre of the resource</description>
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        <name>food</name>
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        <name>officinal herbs</name>
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        <name>plants</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>All Our Yesterdays, crowdsourcing campaign in Pisa (2014)</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Antonio Ricci</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hangar presso Tripoli</text>
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                <text>Hangar in Tripoli</text>
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                <text>Tripoli</text>
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            <description>An account of the resource</description>
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                <text>grande hangar vicino a tende e edifici, con uomini che camminano portando i cavalli</text>
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                <text>a huge hangar with tents and buildings and men walking with their horses</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>conflicts, war and peace</text>
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                <text>1912-01-01 - 1912-12-31</text>
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                <text>All Our Yesterdays digitisation in Pisa, 2014</text>
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                <text>Promoter Digital Gallery</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>CC BY NC 4.0</text>
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                <text>Illustrazione di elmi di cavalieri del XIII secolo dal libro "Storia del costume dei popoli attraverso i secoli" di Paolo Lorenzini, Casa Editrice Nerbini, Firenze, 1934. Si rileva dagli statuti ferraresi manoscritti del 1268 e in uno posteriore della Repubblica di Modena, che ciascun soldato era tenuto ad avere panciera o cassettum, gambiere e schinieri, guanti di ferro, cappellina o cappello di ferro, elmo, lancia e scudo, spada, spontone, coltello e buona sella da cavallo. Nell'immagine si vedono un elmo da torneo, un cimiero cornuto, un cimiero alato, un cimiero reale e un berretto a maglia. L'elmo dei re era d'oro, quello dei duchi e dei conti d'argento, quello dei gentiluomini di acciaio e di ferro quello degli altri.</text>
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