6 10 2769 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 72 Identifier name: ExpoTorino_2 Title A name given to the resource Torino suburbana. La gran cuoca (2) Relation A related resource Text reference edition: Guido Gozzano, "Il paese fuori del mondo. Prose per l'Esposizione di Torino del 1911", a cura di Eliana A. Pollone, Torino, Nino Aragno Editore, 2011. Description An account of the resource Prosa pubblicata su «L'esposizione di Torino», giugno 1911, pp. 398-401. Descrive con ironia la quotidianità del mercato di Porta Palazzo di Torino. Prose published on «L'esposizione di Torino», June 1911, pp. 398-401. It describes the everyday life of the Porta Palazzo market in Turin with irony. N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 fotografia di un bancone di frutta, davanti a cui stanno due donne che guardano l'obiettivo e un cane. Dimensioni: ca. 11x16 cm. Posizione: facciata sinistra, in alto a sinistra. Fig. 2 fotografia di un bancone di pesce, dietro al quale stanno diverse persone che guardano l'obiettivo. Dimensioni: ca. 12x10 cm. Posizione: facciata sinistra, in alto a destra. Fig. 3 fotografia di un bancone del mercato, davanti a cui stanno diverse persone, tra cui una donna stretta a un bambino, entrambi guardano l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata sinistra, in basso a sinistra. Fig. 4 fotografia di un bancone di verdura, dietro a cui sta una donna che guarda l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata sinistra, in basso a destra. Fig. 5 fotografia di un bancone di polli, con accanto una donna che ne indica alcuni e guarda verso l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in alto a sinistra. Fig. 6 fotografia di un bancone di macelleria, dietro cui sta una donna che guarda l'obiettivo. Dimensioni: ca. 11x16 cm. Posizione: facciata destra, in alto a destra. Fig. 7 fotografia di un bancone di macelleria davanti a cui sta una donna. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in basso a sinistra. Fig. 8 fotografia di un cesto di conigli vivi. L'immagine è usata come postfazione. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in basso a destra. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 photograph of a fruit counter, in front of which stand two women looking at the lens and a dog. Dimensions: ca. 11x16 cm. Position: left page, top left. Fig. 2 photograph of a fish counter, behind which stand several people looking at the lens. Dimensions: ca. 12x10 cm. Position: left page, top right. Fig. 3 photograph of a market counter, in front of which stand several people, including a woman holding a child, both looking at the lens. Dimensions: ca. 11x8 cm. Position: left page, bottom left. Fig. 4 photograph of a vegetable counter, behind which stands a woman looking at the lens. Dimensions: ca. 11x8 cm. Position: left page, bottom right. Fig. 5 photograph of a chicken counter, with a woman standing next to it, pointing at some of them and looking at the lens. Dimensions: ca. 11x8 cm. Position: right page, top left. Fig. 6 photograph of a butcher's counter, behind which stands a woman looking at the lens. Dimensions: ca. 11x16 cm. Position: right page, top right. Fig. 7 photograph of a butcher's counter in front of which stands a woman. Dimensions: ca. 11x8 cm. Position: right page, bottom left. Fig. 8 photograph of a basket of live rabbits. The image is placed as an afterword. Dimensions: ca. 11x8 cm. Position: right page, bottom right. Fig. 1 didascalia: "Caschi di banane, evocanti le plaghe d'oltremare. Clichè Crespi". Fig. 2 didascalia: "In vedetta dell'avvenire… pronte alla cortesia e al litigio, alla lusinga e alla contumelia… Clichè Crespi". Fig. 3 didascalia: "Pomona suburbana… Clichè Crespi". Fig. 4 didascalia: "Tutta la gamma del verde… Clichè Crespi". Fig. 5 didascalia: "Filze di 'Chanteelers' dai colli penduli… Clichè Crespi". Fig. 6 didascalia: "…si direbbe che l'esaltazione della carne conferisca loro una speciale freschezza… Clichè Crespi". Fig. 7 didascalia: "Salme predestinate al gaudio delle mense borghesi. Clichè Crespi". Fig. 8 didascalia: "…morituri te salutant… Clichè Crespi". Fig. 1 caption: "Helmets of bananas, evoking overseas plains. Clichè Crespi" (Eng. transl.). Fig. 2 caption: "On the lookout for the future... ready for courtesy and quarrelling, flattery and contumely... Clichè Crespi" (Eng. transl.). Fig. 3 caption: "Goddess Pomona in suburban version... Clichè Crespi" (Eng. transl.). Fig. 4 caption: "The whole range of green... Clichè Crespi" (Eng. transl.). Fig. 5 caption: "Rows of 'Chanteelers' from pendulous necks... Clichè Crespi" (Eng. transl.). Fig. 6 caption: "...one would say that the exaltation of the flesh gives them a special freshness... Clichè Crespi" (Eng. transl.). Fig. 7 caption: "Corpses predestined for the joy of bourgeois canteens. Clichè Crespi" (Eng. transl.). Fig. 8 caption: "...morituri te salutant... Clichè Crespi". Space on the page occupied by images of Gozzano's texts: 36% N. of images next to Gozzano's text: 8 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Photographers: Cliché Crespi Date A point or period of time associated with an event in the lifecycle of the resource 1911-06 Publisher An entity responsible for making the resource available «L'esposizione di Torino» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 41 Original format: paper periodical Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Cliché Crespi Guido Gozzano photography prose Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 71 Identifier name: ExpoTorino_1 Title A name given to the resource Torino suburbana. La gran cuoca (1) Relation A related resource Text reference edition: Guido Gozzano, "Il paese fuori del mondo. Prose per l'Esposizione di Torino del 1911", a cura di Eliana A. Pollone, Torino, Nino Aragno Editore, 2011. Description An account of the resource Prosa pubblicata su «L'esposizione di Torino», giugno 1911, pp. 398-401. Descrive con ironia la quotidianità del mercato di Porta Palazzo di Torino. Prose published on «L'esposizione di Torino», June 1911, pp. 398-401. It describes the everyday life of the Porta Palazzo market in Turin with irony. N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 iniziale decorata. Dimensioni: ca. 6x7 cm. Posizione: facciata sinistra, in alto a sinistra. Fig. 2 fotografia di due donne in dialogo davanti a un bancone pieno di fiori in vendita. Dimensioni: ca. 11x6 cm. Posizione: facciata sinistra, in alto a destra. Fig. 3 fotografia di una strada affollata di persone con cesti per le compere. Dimensioni: ca. 11x9 cm. Posizione: facciata sinistra, al centro a destra. Fig. 4 fotografia di una piazza di mercato, due donne in primo piano nell'atto di valutare delle stoffe. Dimensioni: ca. 11x9 cm. Posizione: facciata sinistra, al centro a sinistra. Fig. 5 fotografia di un bancone del mercato, davanti a cui vi sono tre donne, due delle quali guardano l'obiettivo. Dimensioni: ca. 12x6 cm. Posizione: facciata sinistra, in basso a destra. Fig. 6 fotografia di un bancone di funghi da cui la venditrice si rivolge a una potenziale cliente. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in alto a sinistra. Fig. 7 fotografia di un bancone dietro al quale sta una donna con le mani sui fianchi mentre guarda l'obiettivo. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in alto a destra. Fig. 8 fotografia di un bancone di verdure. Immagine inserita in una cornice ovale. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, al centro. Fig. 9 fotografia di una strada del mercato affollata di numerose donne con in mano cesti per le compere, alcune guardano l'obiettivo. Dimensioni: ca. 11x6 cm. Posizione: facciata destra, in basso a sinistra. Fig. 10 fotografia di un bancone di utensili per la casa, davanti a cui sta una donna che dà le spalle all'obiettivo. Dimensioni: ca. 10x6 cm. Posizione: facciata destra, in basso a destra. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 decorated initial. Dimensions: ca. 6x7 cm. Position: left page, top left. Fig. 2 photograph of two women in dialogue in front of a counter full of flowers for sale. Dimensions: ca. 11x6 cm. Position: left page, top right. Fig. 3 photograph of a street crowded with people with shopping baskets. Dimensions: ca. 11x9 cm. Position: left page, center right. Fig. 4 photograph of a market square, two women in the foreground in the act of evaluating fabrics. Dimensions: ca. 11x9 cm. Position: left page, center left. Fig. 5 photograph of a market counter, in front of which there are three women, two of whom are looking at the lens. Dimensions: ca. 12x6 cm. Position: left page, bottom right. Fig. 6 photograph of a mushroom counter from which the saleswoman is addressing a potential customer. Dimensions: ca. 11x8 cm. Position: right page, top left. Fig. 7 photograph of a counter behind which stands a woman with her hands on her hips as she looks at the lens. Dimensions: ca. 11x8 cm. Position: right page, top right. Fig. 8 photograph of a vegetable counter. Image inserted in an oval frame. Dimensions: ca. 11x8 cm. Position: right page, centered. Fig. 9 photograph of a market street crowded with numerous women holding shopping baskets, some looking at the lens. Dimensions: ca. 11x6 cm. Position: right page, bottom left. Fig. 10 photograph of a counter of household utensils, in front of which stands a woman with her back to the lens. Dimensions: ca. 10x6 cm. Position: right page, bottom right. Fig. 1 nessuna didascalia. Fig. 2 didascalia: "Fior da fiore… Clichè Crespi". Fig. 3 didascalia: "Un confuso tam tam di voci assordanti… Clichè Crespi". Fig. 4 didascalia: "Un contratto prolungato… Clichè Crespi". Fig. 5 didascalia: "Fresche come la loro merce… Clichè Crespi". Fig. 6 didascalia: "Profferta inutile… Clichè Crepi". Fig. 7 didascalia: "Atteggiamento di sfida… Clichè Crespi". Fig. 8 didascalia: "…tutto il regno d'un vegetariano militante…". Fig. 9 didascalia: "…Giunoni nerborute che fanno pensare ad una lotta probabile… Clichè Crespi". Fig. 10 didascalia: "Sorpresa a tergo… Clichè Crespi". Fig. 1 no caption. Fig. 2 caption: "Flower from flower... Clichè Crespi" (Eng. transl.). Fig. 3 caption: "A confused tam tam of deafening voices... Clichè Crespi" (Eng. transl.). Fig. 4 caption: "An extended contract... Clichè Crespi" (Eng. transl.). Fig. 5 caption: "Fresh as their wares... Crespi clichés" (Eng. transl.). Fig. 6 caption: "Useless offer... Clichè Crepi" (Eng. transl.). Fig. 7 caption: "Attitude of defiance... Clichè Crespi" (Eng. transl.). Fig. 8 caption: "...the whole realm of a militant vegetarian…" (Eng. transl.). Fig. 9 caption: "...sinewy Junos hinting at a probable fight... Clichè Crespi" (Eng. transl.). Fig. 10 caption: "Surprised from behind... Clichè Crespi" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 31% N. of images next to Gozzano's text: 10 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Illustrator: unknown Photographers: Cliché Crespi Date A point or period of time associated with an event in the lifecycle of the resource 1911-06 Publisher An entity responsible for making the resource available «L'esposizione di Torino» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 41 Original format: paper periodical Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Cliché Crespi drawing Guido Gozzano photography prose Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 70 Identifier name: Donna_16 Title A name given to the resource Impressioni e ricordi di viaggio. Da Ceilan a Madura (2) Relation A related resource The text is included in the collection "Verso la cuna del mondo" (1917) with the title "Da Ceylon a Madura". Text reference edition: Guido Gozzano, "Verso la cuna del mondo. Lettere dall'India", a cura di Alida D'Aquino Creazzo, Firenze, Olschki, 1984. Description An account of the resource Prosa pubblicata su «La Donna», 20 settembre 1916, pp. 13-15. Racconta il viaggio in nave da Colombo (Sri Lanka) a Madurai (India) e la visita della città. Il testo è diviso in quattro "lettere" che riportano l'indicazione di data (3, 4, 5, 6 gennaio 1913). Il testo è anticipato dall'intestazione editoriale: "L'ultimo articolo di Guido Gozzano per Donna". Il titolo è inserito in un fregio editoriale (cliché). Prose published on «La Donna», 20th September 1916, pp. 13-15. It recounts the journey by ship from Colombo (Sri Lanka) to Madurai (India) and the visit to this city. The text is divided into four "letters" bearing the date (3, 4, 5, 6 January 1913). The text is anticipated by the editorial heading: "Guido Gozzano's last article for Donna". The title is inserted in an editorial frieze (cliché). N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 fotografia del monte Bible Rock su cui si staglia l'ombra del monte Picco d'Adamo (Sri Lanka). Fotografia di Alfred William Amandus Plate. Dimensioni: ca. 12x8 cm. Posizione: facciata sinistra, in alto a sinistra. Fig. 2 fotografia del giardino botanico di Peradeniya (Colombo, Sri Lanka). La fotografia è una cartolina di autore ignoto. Dimensioni: ca. 12x8 cm. Posizione: facciata sinistra, in alto a destra. Fig. 3 fotografia di tempio induista di Colombo (Sri Lanka). La fotografia è una cartolina di autore ignoto. Dimensioni: ca. 11x6 cm. Posizione: facciata sinistra, in basso al centro. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 photograph of Bible Rock mountain over which the shadow of Adam's Peak (Sri Lanka) looms. Photograph by Alfred William Amandus Plate. Dimensions: ca. 12x8 cm. Position: left page, top left. Fig. 2 photograph of the botanical garden Peradeniya (Colombo, Sri Lanka). Dimensions: ca. 12x8 cm. Position: left page, top right. Fig. 3 photograph of a Hindu temple in Colombo (Sri Lanka). Dimensions: ca. 11x6 cm. Position: left page, bottom center. Fig. 1 didascalia: "Il Picco d'Adamo". Fig. 2 didascalia: "La lussureggiante e variatissima flora dei giardini indiani". Fig. 3 didascalia: "Tempio indiano a Colombo". Fig. 1 caption: "Adam's Peak" (Eng. transl.). Fig. 2 caption: "The lush and varied flora of Indian gardens" (Eng. transl.). Fig. 3 caption: "Indian temple in Colombo" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 14% N. of images next to Gozzano's text: 3 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Photographers: Alfred William Amandus Plate and unknown Date A point or period of time associated with an event in the lifecycle of the resource 1916-09-20 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 online Biblioteca nazionale centrale di Roma Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 2000 × 1300 Alfred William Amandus Plate Guido Gozzano Indian prose photography Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 69 Identifier name: Donna_15 Title A name given to the resource Impressioni e ricordi di viaggio. Da Ceilan a Madura (1) Relation A related resource The text is included in the collection "Verso la cuna del mondo" (1917) with the title "Da Ceylon a Madura". Text reference edition: Guido Gozzano, "Verso la cuna del mondo. Lettere dall'India", a cura di Alida D'Aquino Creazzo, Firenze, Olschki, 1984. Description An account of the resource Prosa pubblicata su «La Donna», 20 settembre 1916, pp. 13-15. Racconta il viaggio in nave da Colombo (Sri Lanka) a Madurai (India) e la visita della città. Il testo è diviso in quattro "lettere" che riportano l'indicazione di data (3, 4, 5, 6 gennaio 1913). Il testo è anticipato dall'intestazione editoriale: "L'ultimo articolo di Guido Gozzano per Donna". Il titolo è inserito in un fregio editoriale (cliché). Prose published on «La Donna», 20th September 1916, pp. 13-15. It recounts the journey by ship from Colombo (Sri Lanka) to Madurai (India) and the visit to this city. The text is divided into four "letters" bearing the date (3, 4, 5, 6 January 1913). The text is anticipated by the editorial heading: "Guido Gozzano's last article for Donna". The title is inserted in an editorial frieze (cliché). N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 fotografia di una donna con abiti indiani, intenta a raccogliere il caoutchouc da una pianta. Fotografia di Alfred William Amandus Plate. Dimensioni: ca. 8x11 cm. Posizione: facciata destra, in alto a destra. Fig. 2 fotografia di due donne con il capo coperto, intente a raccogliere delle foglie da un cespuglio. Fotografia di Alfred William Amandus Plate. Dimensioni: ca. 12x9 cm. Posizione: facciata destra, in basso a sinistra. Fig. 3 fotografia dell'interno del Tempio di Sigiriya Rock (Sri Lanka). La fotografia è una cartolina di autore ignoto. Dimensioni: ca. 11x8 cm. Posizione: facciata destra, in basso a destra. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 photograph of a woman in Indian clothing, intent on picking caoutchouc from a plant. Photograph by Alfred William Amandus Plate. Dimensions: ca. 8x11 cm. Position: right page, top right. Fig. 2 photograph of two women with their heads covered, intent on picking leaves from a bush. Photograph by Alfred William Amandus Plate. Dimensions: ca. 12x9 cm. Position: right page, bottom left. Fig. 3 photograph of the interior of the Sigiriya Rock Temple (Sri Lanka). The photograph is a postcard by an unknown author. Dimensions: ca. 11x8 cm. Position: right page, bottom right. Fig. 1 didascalia: "La raccolta del caoutchouc nell'India inglese". Fig. 2 didascalia: "La raccolta del thè a Ceylan". Fig. 3 didascalia: "Interno del Tempio di Sigiri Rock". Fig. 1 caption: "The caoutchouc harvest in British India" (Eng. transl.). Fig. 2 caption: "Tea harvesting in Ceylan" (Eng. transl.). Fig. 3 caption: "Interior of the Sigiri Rock Temple" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 14% N. of images next to Gozzano's text: 3 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Photographers: Alfred William Amandus Plate and unknown Date A point or period of time associated with an event in the lifecycle of the resource 1916-09-20 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 online Biblioteca nazionale centrale di Roma Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 2000 × 1300 Alfred William Amandus Plate decoration (cliché) Guido Gozzano Indian prose photography Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 68 Identifier name: Donna_14 Title A name given to the resource La messaggera senza ulivo Relation A related resource Text reference edition: Guido Gozzano, "Tutte le poesie", a cura di Andrea Rocca, Milano, Mondadori, 2016. Description An account of the resource Poesia pubblicata su «La Donna», 20 settembre 1914, p. 11. Racconta la fuga di un colombo dalla guerra, per ripararsi sulla spalla di una donna, personificazione dell'Italia. Il testo è anticipato da una presentazione firmata "Settembre 1914 - i giornali", che racconta il fatto di cronaca alla base della poesia: il ritrovamento di un colombo di Liegi arrivato in Italia per fuggire dalla guerra. Poem published on «La Donna», 20th September 1914, p. 11. It recounts the flight of a dove from the war, finally taking shelter on the shoulder of a woman, personification of Italy. The text is preceded by an introduction signed "September 1914 - the newspapers", which recounts the event at the base of the poem: the discovery of a dove from Liège who had arrived in Italy to flee the war. Fig. 1 disegno che rappresenta una donna su un piedistallo, con una corona turrita, la spada in una mano, un ramo di ulivo nell'altra e un colombo appoggiato sulla spalla. Il capo della donna fuoriesce della cornice. Come sfondo degli alberi. L'immagine è firmata "U. C. Veneziani 1914". Dimensioni: ca. 9x9 cm. Posizione: facciata destra, in alto al centro. Fig. 1 drawing of a woman on a pedestal with a turreted crown, a sword in one hand, an olive branch in the other and a dove resting on her shoulder. The woman's head protrudes from the frame. As background some trees. The picture is signed "U. C. Veneziani 1914". Dimensions: ca. 9x9 cm. Position: right page, top center. Nessuna didascalia No caption Space on the page occupied by images of Gozzano's texts: 4% N. of images next to Gozzano's text: 1 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Illustrator: Ubaldo Cosimo Veneziani Date A point or period of time associated with an event in the lifecycle of the resource 1914-09-20 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 Original format: microfilm Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 drawing Guido Gozzano poem Ubaldo Cosimo Veneziani Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 67 Identifier name: Donna_13 Title A name given to the resource La casa dei secoli. II. - Torino settecentesca Relation A related resource Text reference edition: Guido Gozzano, "Anacronismi e didascalie. Prose varie 1903-1916", a cura di Marco Maggi, Roma, Edizioni di Storia e Letteratura, 2023. Description An account of the resource Prosa pubblicata su «La Donna», 20 aprile 1914, pp. 20-21. Racconta la storia di Palazzo Madama di Torino e il suo ruolo nel corso dei secoli. Nel nome "Madama" è riconosciuta una dedica muliebre e il narratore identifica con Cristina di Francia la "Madama" per eccellenza, la cui ombra ancora domina su quelle delle altre principesse che lì hanno abitato. Conclude con un elogio delle doti virili di Cristina di Francia. Prose published on «La Donna», 20th April 1914, pp. 20-21. It tells the story of Palazzo Madama in Turin and its role over the centuries. A feminine dedication is recognised in the name "Madama" and the narrator identifies Christina of France as the Madame par excellence, whose shadow still dominates those of the other princesses who have lived there. It concludes with a praise of Christina of France's manly qualities. Fig. 1 disegno che rappresenta l'interno di un castello e in primo piano una donna con una posa esitante. Come sfondo l'interno di un antico castello e un uomo nell'atto di uscire dall'ingresso. L'immagine è usata come intestazione del testo. Dimensioni: ca. 22x11 cm. Posizione: facciata sinistra, in alto al centro. Fig. 1 drawing of the interior of a castle and in the foreground a woman in a hesitant pose. As background the interior of an ancient castle and a man leaving through the entrance. The image is placed as the header. Dimensions: ca. 22x11 cm. Position: left page, top center. Nessuna didascalia No caption Space on the page occupied by images of Gozzano's texts: 14% N. of images next to Gozzano's text: 1 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Illustrator: unknown Date A point or period of time associated with an event in the lifecycle of the resource 1914-04-20 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 Original format: microfilm Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 drawing Guido Gozzano prose Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 66 Identifier name: Donna_12 Title A name given to the resource Amori d'altri tempi. La marchesa di Cavour (2) Relation A related resource Text reference edition: Guido Gozzano, "Anacronismi e didascalie. Prose varie 1903-1916", a cura di Marco Maggi, Roma, Edizioni di Storia e Letteratura, 2023. Description An account of the resource Prosa pubblicata su «La Donna», 5 marzo 1914, pp. 14-16. Racconta la vicenda secentesca di Giovanna Maria di Trecesson, Marchesa di Cavour e amante del duca Carlo Emanuele II, a sua volta marito di Giovanna Maria di Savoia Nemours e padre del futuro Vittorio Amedeo II. Si tratta di una rievocazione storica, ambientata nella Torino del 1668, che utilizza come fonte la canzone popolare piemontese "La Marchesa di Cavour". Il testo è anticipato da una presentazione dell'editore, che introduce il testo come primo di una serie di articoli di rievocazione di figure femminili del seicento e settecento firmati da Guido Gozzano. Il titolo è inserito in un fregio editoriale (cliché). Prose published on «La Donna», 5th March 1914, pp. 14-16. It tells the 17th-century story of Giovanna Maria di Trecesson, Marquess of Cavour and mistress of Duke Carlo Emanuele II, himself husband of Giovanna Maria di Savoia Nemours and father of the future Vittorio Amedeo II. It is a historical re-evocation, set in 1668 Turin, which uses the Piedmontese folk song "La Marchesa di Cavour" as its source. The text is preceded by an introduction by the publisher, who presents the text as the first in a series of re-evocations of seventeenth- and eighteenth-century female figures by Guido Gozzano. The title is embedded in an editorial frieze (cliché). Nessuna immagine associata al testo di Gozzano No image next Gozzano's text N. of images next to Gozzano's text: 0 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Date A point or period of time associated with an event in the lifecycle of the resource 1914-03-05 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 Original format: microfilm Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Guido Gozzano prose Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 65 Identifier name: Donna_11 Title A name given to the resource Amori d'altri tempi. La marchesa di Cavour (1) Relation A related resource Text reference edition: Guido Gozzano, "Anacronismi e didascalie. Prose varie 1903-1916", a cura di Marco Maggi, Roma, Edizioni di Storia e Letteratura, 2023. Description An account of the resource Prosa pubblicata su «La Donna», 5 marzo 1914, pp. 14-16. Racconta la vicenda secentesca di Giovanna Maria di Trecesson, Marchesa di Cavour e amante del duca Carlo Emanuele II, a sua volta marito di Giovanna Maria di Savoia Nemours e padre del futuro Vittorio Amedeo II. Si tratta di una rievocazione storica, ambientata nella Torino del 1668, che utilizza come fonte la canzone popolare piemontese "La Marchesa di Cavour". Il testo è anticipato da una presentazione dell'editore, che introduce il testo come primo di una serie di articoli di rievocazione di figure femminili del seicento e settecento firmati da Guido Gozzano. Il titolo è inserito in un fregio editoriale (cliché). Prose published on «La Donna», 5th March 1914, pp. 14-16. It tells the 17th-century story of Giovanna Maria di Trecesson, Marquess of Cavour and mistress of Duke Carlo Emanuele II, himself husband of Giovanna Maria di Savoia Nemours and father of the future Vittorio Amedeo II. It is a historical re-evocation, set in 1668 Turin, which uses the Piedmontese folk song "La Marchesa di Cavour" as its source. The text is preceded by an introduction by the publisher, who presents the text as the first in a series of re-evocations of seventeenth- and eighteenth-century female figures by Guido Gozzano. The title is embedded in an editorial frieze (cliché). N.B. Le immagini sono descritte seguendo l'ordine di impaginazione sulla singola pagina: dunque da sinistra a destra e dall'alto al basso. La loro numerazione potrebbe non coincidere con l'ordine narrativo. Fig. 1 (fotografia dell'incisione di un) ritratto di nobildonna del Seicento, Cristina di Francia, inserito in una cornice ottagonale. Incisione originale opera di Balthasar Moncornet. Dimensioni: ca. 10x12 cm. Posizione: facciata destra, in alto a sinistra. Fig. 2 (fotografia dell'incisione di un) ritratto di nobiluomo del Settecento, Vittorio Amedeo III, inserito in una cornice ovale. Incisione originale opera di Jean Baptiste Boucheron (disegnatore) e Augustin de Saint-Aubin (incisore). Dimensioni: ca. 10x12 cm. Posizione: facciata destra, in alto a destra. Fig. 3 (fotografia dell'incisione di un) ritratto di nobiluomo del Seicento, Carlo Emanuele II, inserito in una cornice ovale circondata da decorazioni e iscrizioni. Incisione originale opera di F.I.D. Lange (disegnatore) e Giorgio Tasniere (incisore). Dimensioni: ca. 8x10 cm. Posizione: facciata destra, in basso al centro. Please note: the images are described below following a layout-based order, i.e. from left to right and from top to bottom on the single page. Their numbering may not coincide with the narrative order. Fig. 1 (photograph of an engraving of a) portrait of a 17th century noblewoman, Cristina of France, set in an octagonal frame. Original engraving by Balthasar Moncornet. Dimensions: ca. 10x12 cm. Position: right page, top left. Fig. 2 (photograph of an engraving of a) portrait of an 18th century nobleman, Vittorio Amedeo III, set in an oval frame. Original engraving by Jean Baptiste Boucheron (drawer) and Augustin de Saint-Aubin (engraver). Dimensions: ca. 10x12 cm. Position: right page, top right. Fig. 3 (photograph of the engraving of a) portrait of a 17th century nobleman, Carlo Emmanuele II, set in an oval frame surrounded by decorations and inscriptions. Original engraving by F.I.D. Lange (drawer) and Giorgio Tasniere (engraver). Dimensions: ca. 8x10 cm. Position: right page, bottom center. Fig. 1 didascalia: "Cristina di Francia, Duchessa di Savoia, moglie di Vittorio Amedeo II. (Riproduz. Pavia-Nay)". Fig. 2 didascalia: "Vittorio Amedeo II, marito di Cristina di Francia. (Riproduz. Pavia-Nay)". Fig. 3 didascalia: "Carlo Emanuele II di Savoia da un ritratto esistente nella Biblioteca Reale di Torino". Fig. 1 caption: "Cristina of France, Duchess of Savoy, wife of Victor Amadeus II. (Reproduction Pavia-Nay)" (Eng. transl.). Fig. 2 caption: "Vittorio Amedeo II, husband of Christine of France. (Reproduction Pavia-Nay)" (Eng. transl.). Fig. 3 caption: "Carlo Emmanuele II of Savoy from a portrait in the Royal Library of Turin" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 17% N. of images next to Gozzano's text: 3 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Illustrators: Baptiste Boucheron, F.I.D. Lange, Balthasar Moncornet, Augustin de Saint-Aubin, Giorgio Tasniere Photographers: Pavia-Nay Date A point or period of time associated with an event in the lifecycle of the resource 1914-03-05 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 Original format: microfilm Biblioteca nazionale universitaria di Torino, ph. Paolo Siccardi Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6000 × 4000 Augustin de Saint-Aubin Balthasar Moncornet Baptiste Boucheron decoration (cliché) F.I.D. Lange Giorgio Tasniere Guido Gozzano Pavia-Nay photography prose Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 64 Identifier name: Donna_10 Title A name given to the resource L'amica di nonna Speranza Relation A related resource The text is included in the collection "La via del rifugio" (1907). Text reference edition: Guido Gozzano, "Tutte le poesie", a cura di Andrea Rocca, Milano, Mondadori, 2016. Description An account of the resource Poesia pubblicata su «La Donna», 20 maggio 1907, p. 17. Immagina e descrive la giornata di due ragazze di buona famiglia, nel nord Italia del 1850: Speranza, nonna del soggetto poetante, e l'amica Carlotta. La visione si diparte dall'osservazione, da parte dell'io poetico, di una fotografia di Carlotta da giovane. Il testo è anticipato da una presentazione dell'editore, che introduce l'autore e il suo libro appena pubblicato, "La via del rifugio". Il titolo è inserito in un fregio editoriale (cliché). Poem published on «La Donna», 20th May 1907, p. 17. It imagines and describes the day of two girls from good families, in northern Italy in 1850: Speranza, the poet's grandmother, and her friend Carlotta. The vision departs from the poet's observation of a photograph of Carlotta as a young girl. The text is preceded by an introduction by the publisher, who presents the author and his recently published book, "La via del rifugio". The title is embedded in an editorial frieze (cliché). Fig. 1 ritratto fotografico di Guido Gozzano. Dimensioni: ca. 6x8 cm. Posizione: facciata destra, in alto a destra. Fig. 1 photoportrait of Guido Gozzano. Dimensions: ca. 6x8 cm. Position: right page, top right. Fig. 1 didascalia: "Guido Gozzano è giovanissimo!". Fig. 1 caption: "Guido Gozzano is very young!" (Eng. transl.). Space on the page occupied by images of Gozzano's texts: 2% N. of images next to Gozzano's text: 1 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Photographer: unknown Date A point or period of time associated with an event in the lifecycle of the resource 1907-05-20 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 online Biblioteca nazionale centrale di Roma Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 2000 × 1300 "La via del rifugio" decoration (cliché) Guido Gozzano photography poem Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collection Guido Gozzano – Illustrated Works in Periodicals (1905-1916) Creator An entity primarily responsible for making the resource Dr. Marta Pizzagalli <br />USI Università della Svizzera italiana <br /><br /><em>The work is the result of Marta Pizzagalli’s doctoral thesis (ongoing), supervised by Prof. Marco Maggi</em> Publisher An entity responsible for making the resource available Promoter Digital Gallery for USI Description An account of the resource The collection dedicated to Italian poet and writer Guido Gozzano (1883-1916) displays the author’s illustrated works as they appeared in their first publication in periodicals. Between 1903 and 1916 Gozzano published, in thirty-five different journals, more than two hundred texts, including poems, travel reports, fairy tales, miscellaneous prose and reviews, few of which find publication in volume during the author’s lifetime. Among those, seventy-two texts (33% of the total) are accompanied by images – photographs and illustrations – which are not found in later editions. The loss of this interplay affects not only images, but involves the meaning of Gozzano’s texts, which in the first publication was constructed in iconotextual interaction. The digital archive makes it possible to consult Gozzano’s illustrated periodical publications, which are increasingly difficult to find and are often the only existing witness to the original iconotestual link, allowing scholars and the interested public to have access to the original intermedial configuration of the works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Issue within the collection: 63 Identifier name: Donna_9 Title A name given to the resource Impressioni e ricordi di viaggio. Nell'Oriente favoloso: Giaipur: la città rosea (2) Relation A related resource The text is included in the collection "Verso la cuna del mondo" (1917) with the title "Giaipur: città della favola". Text reference edition: Guido Gozzano, "Verso la cuna del mondo. Lettere dall'India", a cura di Alida D'Aquino Creazzo, Firenze, Olschki, 1984. Description An account of the resource Prosa pubblicata su «La Donna», 20 agosto 1916, pp. 10-11. Racconta la visita di Jaipur (India), città colorata di rosa per volere del Maraja Suvni-Ge-Sing II. La descrizione dell'insolito paesaggio urbano e della vita nelle sue strade occupa la maggior parte del testo, accompagnandosi a riflessioni sull'inutilità di quella bellezza creata per capriccio. Il testo è diviso in quattro "lettere" che riportano l'indicazione di data (3, 5, 7, 10 febbraio 1913) e luogo (Jaipur). Il titolo è inserito in un fregio editoriale (cliché). Prose published on «La Donna», 20th August 1916, pp. 10-11. It tells the story of the visit to Jaipur (India), a pink-colored city at the behest of Maraja Suvni-Ge-Sing II. The description of the unusual cityscape and life in its streets occupies most of the text, accompanied by reflections on the futility of that beauty created on a whim. The text is divided into four "letters" bearing the date (3, 5, 7, 10 February 1913) and place (Jaipur). The title is embedded in an editorial frieze (cliché). Nessuna immagine associata al testo di Gozzano No image next Gozzano's text N. of images next to Gozzano's text: 0 Creator An entity primarily responsible for making the resource Writer: Guido Gozzano Date A point or period of time associated with an event in the lifecycle of the resource 1916-08-20 Publisher An entity responsible for making the resource available «La donna» Turin Rights Information about rights held in and over the resource CC0 Source A related resource from which the described resource is derived Periodical cover dimension (cm): 35 Original format: microfilm Biblioteca nazionale universitaria di Torino Format The file format, physical medium, or dimensions of the resource Format: jpg File dimension (pixels): 6944 × 4608 Guido Gozzano Indian prose